#might even write a one-shot for this

[dangerdazee]

descendants: rise of red one-shot, in which uliana is not as big and bad as her "friends" lead her to believe

Uliana walks in front, a couple feet ahead, and the other four villains follow behind. They whisper as they walk.

"Goblin pastry? That's her plan?" Hook crosses one arm over his chest, propping up the arm with a hook and letting it sit up by face.

"How were our ideas not worse than that?" Hades questions.

"I'd much rather eat a little pastry than burn to a crisp." Morgie raises his eyebrows and purses his lips.

"Maybe there's more to the plan than just the cupcake." Hook's attempt to give Uliana the benefit of the doubt is not well-received.

"It's Uliana. You know there's not." Hades smirks.

Maleficent smacks her boyfriend on the arm.

"Hey!"

"Don't say that." But Maleficent's laugh doesn't really match her words.

"What's all the talking back there?!" Uliana stops abruptly and whips around, her hair flying.

"Nothing." Maleficent, Hades, Hook, and Morgie say in unison.

As soon as Uliana turns back around and the group of five continue walking, the four in the back stifle laughs.

Uliana thinks she's big, bad, and scary. She thinks all of the people in her little entourage are terrified of her and bow to her.

She couldn't be more wrong.

Why she ever expected evil personified to not be playing a cruel joke on her is beyond them. But she's been falling for it, hook (no pun intended,) line, and sinker.

It was Maleficent's idea first. When the five of them began to form a solid group, Maleficent immediately noticed Uliana's insecurity and confidence issues.

A good friend would try to be supportive and helpful, but this is Maleficent. She saw it as an opportunity to have a good laugh.

One day, the facade will fall and Uliana will be humiliated and the outcome of this evil prank will bring them great joy. But, honestly, they find it just as fun and satisfying to laugh behind her back about it.

"Should we even be getting back at Princess Perky?" Hades throws his arm over Maleficent's shoulders as they continue walking and whispering.

"Why? Are you going all soft?"

"Gross, no. The flamingo thing was just really funny." Hades gives a sly smile.

Uliana stops as someone calls her name. It's a teacher, so she's more inclined to actually pay attention and go. She tells the others to go on and she'd meet them later.

As soon as Uliana is out of earshot, Maleficent pipes up again.

"We could always... sabotage." Maleficent's face reveals that she's thinking hard.

"Bridget?"

"No- How would that make sense?" Hook pats Morgie on the shoulder, taking a bit of the edge off of his correction. "No, she means we could sabotage Uli's plan."

"Exactly."

"How?" Morgie asks.

"I'm not entirely sure yet. But we have a few hours left to figure it out."

Hook glances over at Uliana, seeing her angry and frustrated as the teacher speaks to her. Hook can only assume that she's not doing well in a class.

"Look, look. Look how upset she is." Maleficent, Morgie, and Hades turn their attention that direction and chuckle along. "Never gets old."

It would be only a couple years later that Uliana realizes what's been going on.

The anger in her was only beaten out by humiliation.

Suddenly, all these people who she thought feared her were making her feel small. And weak. It was as if they grew ten feet tall.

All the strength and power she thought she possessed dwindled down to almost nothing.

Uliana felt like her whole life was a lie, while Maleficent, Hades, Hook, and Morgie all laughed and had a grand time. They reveled in the result of their game.

Part of Uliana wondered if she deserved it.

.

[ @ladyoftheesun here it is! might rewrite sometime to improve it, and i'll tag you again if i do unless you tell me not to! ]

[summertimemusician]

Linktober 2024, Day 1, Mirror (Self)

Alright here we go again.

Technically a sneak peak of a bigger thing to come in the future that I'm repurposing, and the result of my final playthrough and readthrough before EoW dropped being Four Swords Adventures and that made me sad about Shadow Link again.

Note that this is for the Four Swords Adventures iteration of Shadow Link that might evolve into an LU Shadow, not Dark Link in either LOZ or LU, I have other plans for him.

This one shot was brought to you by Scars by The Crane Wives, Ribs by The Crane Wives, Ruin by The Amazing Devil and Two Minutes by The Amazing Devil because the author's playlist decided to be incredibly cheeky when they blacked out to write this like an ancient seers being cursed with visions and then called mad and hearing they've been put up for execution.

As always the nature of the relationship can be romantic or platonic, mostly due to the author's time constraints and further plans.

Anyway enjoy the reading!

It was cold.

The sort of cold after a wildfire, when everything's turned back to ash, the sort that left burned your vision white after the flames licked through your veins and left an ache in your bones. He shuddered, coughed black onto the stone floor, shaking with a muffled whimper.

It never got any easier, being dragged from the Dark World and into the Realm of Light, the goddesses' world itself revolting against an intruder, wanting the wound torn asunder into their oh so precious realm cauterized. To purge the intrusion and smite it where it stands.

Too bad for them (and for him), his master didn't particularly care about what the world wanted. Didn't particularly care that he hadn't grow accustomed to the pain or the cold, he had to stand up. There was work to be done.

(Shadow gritted his teeth, willed himself not to think about the prophecy of a golden haired princess- because whether he liked it or not, it was prophecy. As those with divinity running through their veins are wont to spill from their throats so carelessly- of violet eyes and a smile a third moonlight and hands holding a hammer.

It always hurt more, after one of the heroes liberated one of the maidens, or the jewels, the pain lingering for days afterwards and carving a home in his metaphorical bones. But just this once he'd take the cold bite of the Four Swords over the pain in the hole in his chest that Vio's betrayal had left, something that felt so much worse than every other time before.

Just this once he wished that maybe, just maybe, the hurt would be too much to bear, that he wouldn't wake up again-

Why? Why does it hurt so much but he's still here? He already knew the Light was uncompromising and unforgiving, but he thought them at least above curses.)

His ears twitched as soft, almost silent footsteps came up to his side. Someone crouching by his fallen form, setting a cautious hand over his own that Shadow couldn't help but draw away from with a hiss, blinking as his eyes adjusted to the world again, to your face, carefully blank as you guided him to lean against your side, a silver choker with a crimson gem winked mockingly at him, the shade closing his eyes and going boneless against your side.

Shadow was so, so tired.

He heard you quietly sigh, plucking his cap from his head and running your fingers through dark amethyst, smoke and mist made hair. "I told you so."

"Shut up." He grumbled, nuzzling further into the crook of your neck. One clawed hand curling against your free wrist, digging into the skin. Absentmindedly noting there were new scratches just above the metal.

It was routine by now, the warmth of your existence against his own a welcome balm, not quite of the Realm of Light where it's unpleasant, not too close to the Dark World where he felt like melting back into the embrace of the darkness, only to howl in agony at being dragged out.

Memories not quite his own bled into his mind all the time. How you'd shape ice into flowers for the princess in winter with nary a though, of blinking and from one second to the next you'd have whatever sword he had hostage if you though it was time for a break with a smile brighter than the sun.

His master had changed that though. It took months for you to stop trying to claw the collar out and to stop trying to fight Vaati.

(Funny how holding a mage's dragon as a bargaining chip is just as effective as kidnapping a ruler.)

Your gaze flicked to the polished obsidian of the Dark Mirror, to the gold, ornate frame. "The offer is still open, you know. Let me take the suffering from you."

"No." He scowled, leaning back to glare into your eyes, a hint of fangs poking out from a maw struggling to keep the shape of a human jaw, "You helped him. Helped them." Shadow spat, there is that hurt again.

You shrugged, a movement that's just slightly awkward as you flinch, "That I did." You confirmed simply, it almost made Shadow see red as he leaned away, knocking your hand from his head in the process, but if there's anything him and the heroes shared, was a lack of a desire to hurt you. It was a little grating to be honest, "Vio even offered to take me with him, to be honest."

"Then why didn't you leave?" He demanded.

Why did you stick around?

Your eyes shuttered, a hint of conflict in your pursed lips. Before you found your words, they come out softly, "You wouldn't believe me if I told you why. You'll just have to find out yourself."

You tug your wrist from his grasp, and Shadow lets you go.

(Stubbornly pushing down on memories and emotions that arearen'tarenotanymore quite his.)

You stand and turn away, pushing the curtains away from your sight, you turn your tired eyes to Shadow with an emotion he can't put a name to. "Just keep it in mind that there's more than one way to end this. Nothing is truly inevitable."

Shadow watches you go. 'There's nothing that can be done. He tells himself, hand hesitating above the Dark Mirror, briefly, it curls into a fist. The hero's original self stares back at him.

'… Does he really believe that?'

He shakes his head, and focuses on willing the Dark Mirror to show him his counterpart.

His chest still hurts.

[jazz-apple-jones]

Miraculous AU?? I was inspired by D&P embracing silly melodramatic phandom AUs. More of this to come once I finish the art trade that I swear I’m working on, I’m just swamped with school work rip.

Is anyone else going to the Fort Lauderdale TIT show? Phort Lauderdale phriends where are you :0?

[slavhew]

always covered in your tears and their blood.

[sourtomatola]

I heard this joke a felt the need to tell you.

A vampire drinks a fae's blood, and the vampire argues that the fae's is under his control. The fae argues that the vampire is under her control for eating fae food. They go to a lawyer, and they ask who is in control. The lawyer says “Both.” “What!” They ask. The lawyer smiles evilly and says “You're married.���

How could you do this to me with so many projects in my hands right now?

[wolfsbanesparks]

As much as I'd like to know more about your other WIPs, I want to know what Boy's Night is about! (Thanks for including me, I'm digging through my WIP list, and it's endless!)

Oh I'm so happy someone picked this one!

So if y'all don't know there's an event going on this week called DC Trans Week organized by @dc-fandom-events. I didn't finish this one in time but it was for the Day 1 prompt: genderfluid.

It's a kind of introspective one-shot about a closeted Hal Jordan (since you know I have a genderfluid Hal agenda) navigating their shifting gender with the backdrop of him agreeing to have a Boys Night with Barry and Oliver (which happens to fall on one of her more feminine days)

Here's a couple lines that kind of set it up (probably my summary)

“We should all get together this weekend, have a proper boys’ night! What do you say?”

Hal grinned and let out a whoop of agreement. But mostly they were just hoping they actually felt like a boy when boys night rolled around.

So yeah, I'm pretty happy with how this one is coming along!

And if you want to ask about any of my other WIPs I would be down to ramble about any of them 👀 (I need excuses to talk about them more often)

[calissarowan]

Some Thoughts About Sibylla’s Cave

Hi! I just wanted to talk about something that nags at me in Winx. (Warning: I might go on a bit.)

When the wizards surrender to the Winx, they take them to Sibylla, and we see them in the next episode, with Duman’s condition having worsened. Badly. He’s feverish, moaning, and seems to be delirious. And yet…Sibylla has him lying on what is basically a slab of stone. I mean, look!

His head is not even supported! So not only does he have some kind of mystery disease, he now probably has neck problems. And back pain. And if he wasn’t running a fever, he’d probably be freezing. Could Sibylla not spring for a bed? Or at least a pillow? Something? He looks so uncomfortable, and I feel so bad for him, because he’s already so sick! I wish Sibylla had tried to make him comfortable.

And now onto part two…

Here’s the cave the wizards are in. We can see some interesting stuff…uncomfortable stone bed, tree that seems to be growing underground (maybe it’s just roots), stone seat thing… You know what we can’t spot? Anywhere for the other wizards to sleep. Now, maybe they have their own rooms. Maybe this is the Duman cave. Maybe when it’s time to go to sleep the other wizards go to their own caves, with their own ridiculously uncomfortable stone beds. But…I really can’t see that being the case. It feels like this is the cave the wizards are staying in. In which case…where do they sleep? Are there beds hidden out of shot? Or do they have to sleep on the floor? Which would probably be even more uncomfortable than Duman’s stone ‘bed’. And would make me think a bit less of Sibylla.

Also, are the wizards actually allowed to leave that cave? (This is putting aside the ‘they have their own rooms’ theory). We see them come to the throne room (is it a throne room? It has a throne. And it’s a room. Or a cave, I guess. So, throne cave), but they’re flanked by Rustic Fairies, who are presumably acting as guards. So maybe the wizards are limited to that cave. Does that mean they’re technically Sibylla’s prisoners? Or are they her guests? Or just the people she has to keep alive long enough for Morgana to calm down and agree to an unfair trial? (Being judged by the people who have spent the past weeks trying to kill you is in no way, shape or form an impartial court. Not even if Morgana says she’ll judge the wizards ‘in all fairness’. She’s biased. Very, very biased. She would not get put on the jury if the wizards were being tried in an actual court of law.)

Oh, and, final thought:

Where is Gantlos? Seriously, where? The Winx have shown up to explain about the supposed ‘fair trial’ they just fought Nebula to get; shouldn’t Gantlos be there for that? He’s probably just out of the shot, but it’s weird he isn’t shown.

Going off the idea that the wizards are allowed to leave that cave, I’m headcanoning that Gantlos wasn’t there because seeing Duman in that state just hurt too much, and he didn’t want the Winx to witness him barely managing to not fall apart, so he’s in another bit of the cave desperately trying to keep it together. Or having a breakdown. Possibly having a breakdown. Ogron and Anagan will fill him in on the situation later.

[anderstrevelyan]

This fic is going to be the death of me, by the way

[stergeon]

can someone please write this doropetra fashion designer/journalist modern au for me. i spent too long thinking about the devil wears prada today and now i have all the beats mapped out for this story i Do Not have enough time in the world to write.

please help. please. i'll give you everything. all of it. it's all right here. take it. mention me if you swap the names to sell the movie or streaming rights. i just want it to exist.

pitch: dorothea is a hot-nasty fashion mogul and petra is a journalist-turned-reluctant model who captures dorothea's attention (and her heart).

btw this is a Really long post so look out. also i know nothing about the fashion industry and Will Not Learn so don't tell me anything.

setting: various major cities in the USA. NYC, LA, Enbarr (you know, Enbarr, that major city somewhere between florida and texas. we've all been there).

cast

most everybody is in their mid-to-late 20s at the start.

petra: the last journalist with integrity in a world that's actively trying to eliminate journalism as a field. worked her ass off writing listicles and bullshit SEO articles for years until she caught a break and got in with a "Real Publication." she now works her ass off there. unfortunately there's rumors of her team getting laid off due to AI crap so she's stressed af trying to line up her next gig, just in case.

dorothea: hotshot young fashion mogul with a cult of personality around her. was a complete unknown barely out of college when she designed manuela casagranda's absolutely breathtaking met gala dress and her company blew up overnight. now does high-profile lines that are popular with movie star types and bougie social media influencers. notorious for being very, very friendly with her preferred models.

edelgard: petra's finance major/arts minor friend from college and her former roommate. nepo baby with Lots of connections. got petra her first big job writing PR crap for a division of the hresvelg business empire. caused a scandal by getting romantically involved with her TA (byleth) in grad school but they're still together. complains about her PA (hubert) and her lout of a stepbrother (dimitri), both of whom she's constantly texting or otherwise having to corral.

shamir: petra's boss/editor. admires petra's guts and her writing chops, as well as her ambition. somewhat of a mentor to petra, but is absolutely no-nonsense when it comes to work. she's been in this business a long time. there's no fucking around. leonie is another journo on the team. ignatz and linhardt also work with them doing layouts, formatting, and photo/video editing.

manuela: a famous singer from dorothea's hometown who basically adopted dorothea as a protégé after dorothea sent her sketches of designs she'd made. essentially responsible for dorothea's career. they have a bit of a contentious relationship these days as manuela's a bit jealous of dorothea's rising star and because dorothea's been ungrateful in recent years despite how much manuela's stuck her neck out for her. still, she's always there to give dorothea terrible advice when she needs it. her evolving relationship with dorothea is kind of a b-plot.

bernadetta: a reclusive, but well-connected social justice blogger and internet activist. one of petra's good buddies who regularly sends her scoops.

ingrid, ferdinand, sylvain, catherine, felix: models who commonly work with dorothea.

Jeritza: a nobody fashion photographer who thinks he's somebody. he's absolutely awful.

claude and hilda: paparazzi who work for tmz, buzzfeed, whoever will take em. petra thinks they are the scum of the earth. they are.

act 1

we open with petra on yet another bullshit assignment for her crappy job writing articles about things that don't matter. this one is a profile piece about a local fashion photographer, the mononymous Jeritza, who might be somebody someday and seems to think he already is. leonie was supposed to do the article but she flubbed it by offending Jeritza, who now won't give her the time of day, so shamir asks petra to please step in last-minute. petra's mad, but she gets her hustle on and goes anyway. it's not like she can be too picky with gigs in this economy.

by the time she gets to the shoot, she's late, and Jeritza is throwing a tantrum. the model isn't working out. Jeritza cannot work in these conditions. Jeritza fires the model and is about to freak the fuck out when petra walks in the door. oh, Jeritza says. i can work with you. petra did NOT sign up to be a model, has never wanted to be a model, has no interest in this whatsoever. but let's be real: it is a great angle for the piece. this could get clicks. shares, even. so she does it.

the shoot is a massive success, which is to say Jeritza is delighted with the results, but as it's just for a local streetwear company, the impact on culture is negligible. petra writes her article, which gets some attention due to the very funny portrait it paints of the histrionic artiste that is Jeritza. it's not much buzz, but it's just enough buzz to get shared around in fashion circles—enough for it to wind up in dorothea's inbox, courtesy of manuela. "Thought of you!! XD XD This is so funny!!" manuela writes. dorothea replies "lol" and is about to move on with her day when she decides to give the article a courtesy skim and scrolls down far enough to see the pictures.

oh. who is that model?

a few days later, petra's out at a bar getting drinks with edelgard and bitching about life when she gets a call from an unknown number. she figures it's probably spam, but they leave a voicemail. the transcription mentions it's from a dorothea arnault, whoever that is. edelgard almost shits a brick. DOROTHEA ARNAULT? you need to call her back. right now. petra's like okay jeez, i will. what's the big deal. edelgard facepalms. she forgot that petra doesn't follow fashion even a little bit ("isn't the gucci, like, the area between your butthole and your—?" "no petra it is not"). embarrassing for her, but there's no saving some people.

edelgard briefs her on the arnault situation. dorothea's studio is huge right now. edelgard's family business has been sponsoring some of her recent fashion shows and everybody who's anybody is trying to get an arnault outfit for their next event. while dorothea's very popular on social media, she's very tight-lipped about her private life. a profile on her could be a huge break for petra.

okay, petra thinks, what the fuck, okay. i'll call her back.

dorothea picks up on the fifth ring. uh-oh: she sounds hot.

hel-looo, miss macneary, she says, it's nice of you to pick up the phone. i saw that little article you wrote recently. you're sooooo funny. [her voice is sweet and smooth like butter. she sounds like she's twirling her hair as she talks. she doesn't say how she got petra's number. petra doesn't think to ask.] and those photos of you... my, my. you're quite the looker, aren't you? and you don't even model professionally? that's a terrible shame. you'd do well, you know. i'm in berlin right now but i'll be in enbarr's fashion district on tuesday afternoon. why don't you come by the studio? we're doing a shoot for some designs i'm releasing soon... a secret summer collection. oops, i shouldn't have told you about that, should i? well, i'm sure i can trust you to keep my secret. and maybe i could even trust you to write something nice about me? i think they'd suit you, you know, these new pieces i've got. if you have any interest in trying your hand at modeling again, i'd love to see you in them. 11 o'clock. ciao!

petra gets a handful of words in edgewise. most of them are yes. she keeps her phone held to her ear for too long after dorothea hangs up. she wishes she'd been sober for this conversation. she's not really sure what she just agreed to. she doesn't want to forget the sound of that voice.

she shoots a text to shamir. edelgard buys her a shot the instant she steps back into the bar.

tuesday comes and petra's nervous. she packed and repacked for this. checked twenty-five times that she brought her tape recorder and her good camera. arnault is gonna think that camera's a joke, but it is what it is. she's trying to play it cool, hyping herself up the whole time she's on the train. it's gonna be fine. just keep the tape rolling. write the profile. she doesn't have to model, she can just do what she does best. listen. pay attention. write honestly. move on.

sure.

if petra thought dorothea sounded hot, she's wholly unprepared for how hot she is in person. she's spellbinding. drop-dead gorgeous. positively unreal. and on top of that, she's so charming. she's graceful. smart. funny. flirty. and she keeps touching her—little touches on her hand, her arm. chaste things. friendly things. things that could be accidents.

she's exactly petra's type.

but petra is a journalist with integrity, dammit. she's going to be professional. and to her credit, she is professional. arnault makes it hard, but she manages. she blends in, listens, stays focused, stays out of the way. the model's cute—ingrid something-or-other. she can't remember but she got it on the tape recorder. told petra her instagram handle like six times, too, so she won't have any trouble finding her. the shoot is almost wrapped when dorothea asks if petra would be interested in modeling for her. she's not at all offended when petra politely declines. she poses when petra asks to take her photo for the profile. thanks her for coming out and talking to her. says goodbye with a polite handshake and that dazzling smile. she thinks about that smile and that touch throughout the whole train ride home.

skip ahead to friday. petra is working on the story and transcribing the audio recording when she gets a text from dorothea. so lovely meeting you on tuesday [heart emoji] [kiss emoji] [heart emoji] i know it's last minute, but the final pieces of the summer collection are coming in tomorrow and i think you'll like them for your profile. i'll fly you up tomorrow morning to meet me at my studio in manhattan, unless you're busy, of course~

petra is not busy tomorrow. shamir is considering opening a new style division of their publication.

the flight is the train ride but worse. keep the tape rolling, macneary. listen. pay attention. write honestly. move on.

she's resolute. committed. her resolve doesn't waver even when she gets off the plane, ready to call an uber, and there's a guy in a suit with a sign that says MACNEARY on it. it doesn't waver when the guy stops her and says no, he's not looking for another macneary, he's here for her, courtesy of ms. arnault. it doesn't waver throughout the ride—the chauffeured ride, in a fancy car, just her and the guy—from jfk through the streets of nyc, seeing the skyline she's only ever known from movies and on tv. it doesn't waver when she's escorted into a skyscraper in the garment district and guided up to the floor where ms. arnault is waiting for her.

it wavers when she sees her. when dorothea says her model couldn't make it that day and she could really, really use petra's help, it falls completely.

you can guess how the rest of that trip goes. petra barely remembers it herself. she gets back home to enbarr, trying to recover from the whirlwind week she's had by doing what she does best—working. she can scarcely believe any of it was real. she has to believe it when she gets back to her shithole apartment, sets to the task of transcribing the audio from her tape recorder, and realizes it was rolling the whole time.

the whole time.

and there's absolutely no denying any of it after dorothea sends her the photos for her review.

you look so good in these, she tells petra when she sends her the first photoset. i think you look better out of them, she says when she sends the second.

petra considers her options. considers freaking out. considers not replying. considers moving to australia. she considers and reconsiders and does none of those things.

what she does do is send dorothea the audio recording. dorothea sends her some photos of her own.

they meet up again in LA on the day the profile drops.

act 2

if that first week was a whirlwind, the summer is a hurricane. petra's being lauded for the quality of her profile on dorothea, as well as for being the only member of the press who can get close to ms. arnault. it's borderline scandalous, how she's also modeling the summer line despite not even being a real model. it's a thinly-guised affair—almost completely un-guised when their flirting gets a little too overt during a show in tokyo. who cares. petra's entranced. dorothea takes her everywhere, her personal reporter, lavishing her with gifts, showing her the world. she's keeping her busy between all this travel and all this passion. they go to show after show, shoot after shoot; petra works her ass off, keeping the tape rolling, listening, paying attention. so what if she doesn't have time to answer shamir's texts right away the way she normally would. the website's getting more traffic than it ever has, carried by petra's inside scoop on the world of dorothea arnault. shamir can cut her a break.

and she's surprised by how much she likes dorothea. how much she likes spending time with her. dorothea's all the things petra thought she was: glamorous, bubbly, charismatic. but she's also so brilliant, so hard-working, busting her ass every single day of her life. and she's sweet, too. she lavishes petra with attention, gives her all kinds of little gifts and things—nothing too expensive as to make petra uncomfortable (the jetsetting is bad enough as-is), but small, practical things she actually likes and could use. she asks petra about herself almost as often as petra asks questions about her. it's not petra's job to talk beyond getting the conversation flowing, to put more of herself into the discussion than there needs to be to get dorothea to open up. she's here to listen. to pay attention. write honestly and move on.

but she's finding she doesn't really want to move on.

one night they're hanging out in dorothea's fancy hotel room eating room service and drinking wine when dorothea makes a crack about how little petra knows about fashion. petra admits that she really didn't intend to get into it, that it just kind of happened. that what she really wants to do is investigative work, writing about events, exposing corruption, that sort of thing. no offense to dorothea! it's been fun doing this, don't get her wrong, but she's got goals, other things she wants to do—once dorothea gets tired of her, she jokes. sort of jokes. dorothea laughs. she smiles at her and asks why she wanted to be a journalist.

and petra's honest again. honest like she hasn't been before. she tells her a little about her childhood, her family life. about growing up in brigid (you know, the country on planet earth) and moving to enbarr as a teenager after her father died. seeing her super-smart, brilliant mother and grandfather go from these auspicious jobs in their home country to shitty ones that just barely pay the bills here, all in the name of long-term security. how they taught her to work hard and always act with integrity, no matter what she's doing. she tells her about the struggles of learning a new language, how it made her become a good listener, how she fell in love with writing because it gives her time to think about her words, to express herself the way she wants to. she wanted to be a journalist to speak for those who can't raise their voices loud enough on their own.

dorothea smiles at her the whole time she's talking. petra's not used to being on this side of the table, to being listened to like this. she almost doesn't know how to handle it; she's apologizing, feeling embarrassed for having said so much, but dorothea says don't be sorry. that's beautiful. she's lucky to have such wonderful people in her life who love her and support her. and she likes hearing petra talk.

things are different after that night.

act 3

the start of the Drama Arc. the summer's coming to an end. petra and dorothea are still spending so much time together, jetsetting around the world. petra's working on a piece that's a backstage look at the arnault company's leadup to milan fashion week. the stress is getting Real and the cracks are starting to show. petra's missing deadlines, blowing off shamir, blowing off edelgard, blowing off her family. she's barely in enbarr these days, jetlagged to hell, lost between time zones. her pal bernadetta reaches out and says hey, there's something Big i'm working on that i could use help digging into, can you give me a hand? petra says sure, i'll take a look. she doesn't. she forgets somewhere between london and são paolo.

things are still hot between her and dorothea, but she's starting to see the cracks in her, too. she's getting to see more of her, more of what lies beneath all that glam and bubbly personableness. you don't go from being a nobody to a mogul in your 20s by being nice, and what petra slowly discovers is that dorothea isn't just not nice, she is ruthless. she's nonstop, working her ass off, and anyone who can't keep up with her gets left behind. she hints at her past sometimes: at her shitty childhood, at growing up in poverty, at being orphaned, at having spent years in foster care. but she never opens up. she's 100% focused on the future, and it's all she wants to talk about. dorothea wants to live her dreams, yes, but more importantly, her goal is self-preservation.

petra finds this out when they're at a shoot one day. petra's off to the side, fucking with her piece of shit camera when who storms up to her but ingrid, and she's pissed as shit. she chews petra out. calls her an asshole. says she stole her job. asks what the fuck is wrong with her, doing that while posting her articles, publicly announcing to the world that she never even wanted to be a model. petra's floored. she doesn't even know what she's talking about. she asks ingrid to start over.

that "second date" of theirs in manhattan, way back when? turns out dorothea was telling the truth when she said her model couldn't make it that day. ingrid was supposed to be modeling. she was dorothea's #1 for ages. she'd just come off back-to-back-to-back shoots when she got sick, really sick. stuck-in-shanghai-and-probably-not-going-to-be-able-to-board-a-flight-to-manhattan-tomorrow sick. she told dorothea so, said she'd try her best. dorothea said not to bother and didn't call her again.

it'll happen to you, too, ingrid tells petra, once you aren't useful to her. you're giving her all this press now, but if you ever do anything else, she'll drop you like she drops everyone else.

ingrid storms off, leaving petra standing there, holding her stupid camera. she looks at dorothea, standing across the room, running the show, correcting this and that, getting everything perfect, exactly the way she wants it. petra looks at her and wonders. wonders what would happen if she wrote something dorothea didn't like. if somebody new caught her eye.

they get dinner that night and it's tense. dorothea's stressed. she's carrying on about this and that, talking about the shoot, texting and responding to emails, slamming back glass after glass of wine. petra's quiet, letting her talk. too quiet, apparently, because dorothea eventually takes her head out of her phone and asks her what's up. nothing, petra says, just thinking about everything going on, about the shoot today. dorothea rolls her eyes. i know, she says; on top of everything else, ingrid was there, and she wanted to have a whole conversation with me, like i wasn't busy and like she didn't fuck me over the last time i saw her. she texted me earlier, too. the audacity of this bitch, she gripes, going back into her phone, still mad. a little later into dinner, manuela calls and dorothea answers it; she's bubbly and sweet, all hi how are you omg it's been so long, i miss you, sorry i've just been so busy~ i've gotta go but we'll catch up soon. she hangs up and shoots petra a look. she's so needy, dorothea says, laughing. petra tries to laugh too and can't quite manage.

they're still going everywhere together in the leadup to milan fashion week, and petra's still working on the piece, but she's feeling a little gross and she's quieter than ever. she lets herself believe that maybe it's fine, maybe it's okay, maybe she's not really that cold and ruthless. but then dorothea shows her one day.

everything's been going wrong: there's equipment stuck in customs, marketing materials haven't been delivered from the printers yet, the studio they rented for pre-shoots is double-booked. then a model's late to the shoot and another one is complaining and dorothea is done, so done. she fires them on the spot, gets on the phone and calls two new ones who will get the job done and done without question. petra's quiet. listening. paying attention. keeping the tape rolling as dorothea justifies herself aloud, without prompting. don't judge me, she says. i do what i have to do, and everyone else should, too. i know no one is going to take care of me. i've got no reason to take care of anyone else.

she's a mess all night. angry. stressed. shutting herself off. petra's seen her get like this a few times, but this is the worst it's ever been. she's in her phone all night. practically snaps at petra when she asks if she can help her with anything. shrugs away from petra's touch.

they go to bed and petra barely sleeps. she just lies awake, thinking. thinking about dorothea. thinking about herself. thinking about how she's been blowing off her friends, her family, her boss. thinking about how swept up she's been in all this crazy stuff she doesn't even really care about, putting off her own career. feeling guilty about ingrid. feeling guilty about blowing off shamir and bernadetta. worrying about who she's become around this woman. wondering what happened to her integrity.

fashion week goes great. flawlessly. petra heads back to enbarr afterward. she's almost ready to publish her piece, but she's gotta make up with shamir first. she apologizes. says she's so sorry. sorry for blowing her off. sorry she missed her deadlines. shamir is pretty fucking done with her and has told her as much already, but petra's earnest, and her piece is ready, and she wants to give the girl one more shot. she tells petra alright, i'll forgive you, but i need this piece tonight or we're done. i can't keep waiting on you and your schedule.

okay, petra says, you'll have it tonight.

she's worried. nervous. there's so much on her mind. the piece is ready but it's not going to make dorothea happy. she wants to call her first. she tries and gets her voicemail. tries again. nothing. texts her instead, a few times. hey, she writes, i need to talk to you. call me when you get the chance. it's about the profile. it's important. i'm on a deadline.

nothing. the hours are ticking by. she calls her. texts her. it's really important, dorothea. i need you to talk to me. please.

nothing.

petra's left wondering. wondering what to do. whether she should hit send on this email or hold off. wondering what she wants out of this.

and what is this, anyway? a summer fling? are they dating? girlfriends? they've never put a name on anything. do they have a future? can petra even think about building a future with someone she doesn’t trust to keep her along if she ever should need help? maybe dorothea’s hot and smart and maybe she’s got incredible drive but if she doesn't share petra's values, if she’s not going to be able to live for more than herself, and be true to herself, can petra accept that? does dorothea even know herself well enough to be able to be authentic?

time runs out and petra sends her piece to shamir. dorothea leaves her on read.

the piece is published. it's a huge hit, and not just in fashion circles, because it's a perfect portrait of dorothea arnault, and who doesn't love a biography of a wunderkind. it's honest. it's real. it talks about everything: her light, her darkness, the ups and the downs of being with her. it's raw. personal. revealing. it's all her brilliance and all her evils, captured in the way only someone who really loves her could do.

when it drops, petra expects dorothea to call and rip her a new one. she doesn't expect her not to call at all. but dorothea's radio silent. a few days later, some dickhead paparazzi petra has the misfortune of knowing (hilda and claude) send her a picture of dorothea in LA, running around with some red-headed douche (ferdinand).

sorry, dorothea texts her eventually. i've been soooo busy. i've missed you, but we'll catch up soon.

sure, petra writes, knowing they won't. i'll see you soon, she writes, knowing it's goodbye.

act 4

petra goes back to her career. back to her friends. crashes on edelgard's couch for a while. spends time with her family. starts addressing the connections she fucked up, fixing things with shamir, trying to gain momentum again. despite the profile on dorothea being such a success, it takes a long time for her to get back on her feet. but it's okay, 'cause if she's busy, she doesn't have to think about her.

months go by. every couple of nights, dorothea drafts a text to petra and deletes it.

it's february now, which means new york fashion week is here, and although petra is branching into investigative stuff nowadays, shamir calls in a favor and asks her to help cover it. petra knows she might see dorothea there. knows it’s a risk. decides she’s gonna be so strong and brave, and she can’t really afford to pass it up anyway because it’s a big career opportunity, a chance to revisit fashion after her profile last year. so she goes.

and they see each other. and nothing happens. they don't even say hello.

but that night, when petra’s in her hotel room, spiraling, dorothea calls her. she's in a hotel up the street. she asks petra to come over. for all her sense, her morals, her logic, petra is no more than a lesbian, so she says yes.

they don't talk. they jump right to making out sloppy style and fucking nasty and holy shit, it’s just like it was when they first met: hot and intense and so good, so perfect. except it’s not, it’s not, because this isn’t going to work out no matter how much they want it to, and they both know it. they get into a big fight after dorothea makes a crack about the profile and petra loses it. she puts dorothea on blast for being such a piece of work, saying she can’t ever be with her no matter how much she wants to because dorothea won't ever put someone else first and she’ll never figure out how to be anything other than alone.

then petra drops another bomb. over the past few months, she's made up with bernadetta, and it turns out that the big scoop bernie uncovered is about exploitative business practices a certain scummy fashion company engages in. a certain scummy company that dorothea's company is partnered with. said company's dealings wouldn't get their business partners in legal trouble, but public perception would certainly change. she's been working on an exposé about it. she's going to release it soon. really really soon. like as soon as she gets back to enbarr.

dorothea looks like she's been hit by a truck. she begs petra not to release the story about the company. it’s going to fuck her brand. she'll be ruined. she offers petra whatever she wants. gets nasty, even, defensive. then she fucking breaks. she doesn’t fully open up, but it’s the closest she’s ever come to doing it. she says she's sorry, sorry for hurting her, sorry for shutting her out, sorry she cut and ran like she always does when she might catch feels, when she might be vulnerable for once. she says she's sorry and she asks her please, please, not to release the story.

petra doesn’t give her an answer. she just goes back to her hotel.

once she gets back, she doesn't sleep. she stews for ages, pacing, going back and forth, trying to figure out what to do. act with integrity and drop the story as-is. don’t drop the story and protect the person she cares about, in spite of herself. amend the story so maybe dorothea won’t catch heat...? no, that wouldn’t be acting with integrity either. she can’t win either way.

and dorothea’s having a think, too, which is to say she’s a fucking WRECK. realizing how bad she’s fucked up her life. realizing that petra liked her for her. wanted to get to know her for more than her name and her money and her connections. told her things about herself she didn’t even realize were true. and she hurt her at every single turn. for the first time in her life, she had a chance at something real with a good person who really loved her and she fucking blew it. there’s so much dissonance as she tries to defend her own actions to herself and can’t because petra’s wormed her way into her head, the only person who ever Really questioned her, the only person who ever made her question.

she's always figured things out alone. she's always had to figure things out alone. this time, though, dorothea's not sure she can handle it. so she does the only thing she can think to do: she goes to manuela with her tail between her legs. manuela's a little pissy at first as dorothea's been blowing her off for a while now, but she's also worried, because dorothea has never come to her like this. not once. and she's offered for her to, a lot.

when manuela hugs her, dorothea breaks. she ugly-cries into manuela's arms. tells her how bad she's fucked up. how much she hates herself. how sorry she is for being a dickhead when manuela's only ever wanted to be there for her. manuela comforts her. chastises her for being an asshole, yeah, but shores her up, too. tells her if she's really sorry, she'll figure out how to change. tells her that she's there for her, and she'll keep being there for her, so long as she tries. dorothea's blown away. she thought she'd lost her shot at having love in her life, but she was too blind to see there are other types of love she's been shutting herself away from, too.

dorothea leaves manuela's, still feeling like shit, but with plans to get lunch or at least call each week, and with the promise that she's going to do better, be better.

she makes an effort, too. she cuts ties with the skunks. changes her business practices. starts being more charitable, less ruthless, less aggressive. it’s a slog and it sucks and she’s bad at it but fuck she’s going to try. even if petra never takes her back, even if petra just thinks dorothea’s trying to cover her own ass again and protect herself from the impact of the story, it doesn’t matter. she’s going to be better. she’s going to try to do things right, because someone believed in her, someone thought she could be better. and she’d never thought so highly of herself, never thought she could be more until petra came into her life and saw the potential in her.

petra releases the story a week or so later, unrevised. she texts dorothea before she does. says she’s sorry. dorothea says it’s alright. she understands.

the story drops and it’s a clusterfuck. an absolute PR disaster. the scummy company folds overnight. a bunch of related fashion companies, including dorothea’s, are in huge hot water. dorothea’s on the press circuit, doing damage control. petra’s watching an interview with her, listening to her spouting off her PR beats. fully expecting dorothea is going to deny everything, throw everyone she can under the bus to keep her shit afloat. so she just about has a heart attack when dorothea admits she’s fucked up. admits she made the wrong decisions, did stuff she knew was scummy. takes accountability. is honest for once. honest in a way petra didn’t think was even possible for her.

dorothea outlines her plans for how she’s going to be better, the changes her company’s making, how things are going to be different. says she’s making a commitment. if it all folds, so be it. at least she’ll be able to sleep at night.

because capitalism is the way it is, the company doesn’t go under. they’re in the red for a while and the "Controversies" section of her wikipedia page is now significantly longer, but the news cycle goes on and consumers forget and a few months later, pieces from dorothea’s summer line are all the rage with the kids on tiktok. petra’s more than a little bitter about it, but mostly she doesn’t give it any thought. she did her part. wrote honestly. spoke the truth. kept her integrity. she’s become a big name since that scoop, too, with her career really taking off. she's writing books and shit, appearing on tv, what have you, doing the investigative work she's always dreamed of doing.

she’s in london one night on the final leg of a press tour, sitting in her hotel room, when she gets a call.

it’s dorothea. she’s in london too. would petra like to get brunch tomorrow?

yeah she would. bitch loves a mimosa.

they get brunch and it’s tense. they try small talk but don’t really know what to talk about. dorothea makes it more awkward by cracking a joke about petra writing an article about her after this brunch and petra only kind of laughs.

but then dorothea apologizes. earnest. honest. like she’s never been with petra. tells her she’s sorry. tells her how she changed her life and made her think about herself differently, made her think she could be a better person. made her Want to be a better person. convinced her it’d be worthwhile to try. and she has. she’s made so many steps since they last saw each other. doing better. living kinder. living true. says she doesn’t expect anything from petra at all. just wanted to say sorry, and thank you for seeing the best in me.

petra says you’re welcome.

dorothea pays for brunch and they go their separate ways. dorothea holds it together until she gets to her hotel room and then she loses it, bawling her eyes out like she has never ever done, like she’s never let herself do. but it’s okay. she loves petra, that hot journo with the cute accent and more morals than sense, but dorothea knows she doesn’t deserve her, and she’s going to be okay with that. she’s going to live better anyway, for herself, because she’s worth it.

act 5

a year and a half goes by before dorothea and petra run into each other at a formal Thing. they talk, cordial, business-like, just catching up. dorothea makes a crack about the tmz photos of petra with three or four different high-profile supposed gfs over the past year and a half, calling her a heartbreaker. petra laughs, a real laugh. says dorothea's one to talk. asks if she's been keeping up with her? how often does she google her? dorothea says she does it more often than she'd like to admit. petra blushes, laughs again, flattered.

she asks if dorothea's been breaking more hearts lately herself and dorothea says nah. she's been focusing on her business. she's got this non-profit going now too, and it's been taking off. just landed some pretty big investments that will bring arts programs to schools that don't have funding for them. she looks proud of this. she is. she's actually spending more time doing that these days than her fashion stuff, which makes her a little sad, but it's not so bad because it's given her a bit of a mystique: the designer whose work was once Everywhere, now dropping limited release lines every few seasons instead of keeping up with the fast fashion whirlwind. it's different but it's good. she likes it. she's happy.

petra says she's glad to hear that. that she's happy for her. makes a reference to the new line dorothea's rumored to be dropping this fall. dorothea's eyes almost pop out of her head. you know about that? yeah, petra says, i google you. she's known about the non-profit, about everything dorothea's been telling her about. she's a journalist. she likes knowing things. but she likes knowing about her. knowing that she's doing well. and it's really good now, knowing that she's happy. she tells dorothea she's happy for her. that she's proud of her. that she knew she could do it.

dorothea doesn't cry. just says thank you. she gets called away by somebody else, and petra does too, pulled in the opposite direction. dorothea thinks about hugging her first. almost touches her hand. elects not to. says it was good to see her. then they're both whirled elsewhere and they don't see each other again.

but that night when dorothea's in her hotel, she gets a text. it's from petra. would she like to get coffee tomorrow?

FIN

[magicalmelancholy-blog1]

The problem with planning a Len'en fanfic with a wider scope is that Len'en is a series where so much is going on.

Like, while Tsubakura is trying to chill and getting their chill time interrupted by some incidents and the presence of Suzumi, there's this fucking political drama going on in the background. This bitch (Fumikado) wants to become the vessel for this dead guy because their grandfather thought he was the true emperor and it was his dream to revive this guy and Fumikado is going to fulfill that dream because their grandfather took them in after their parents died and they have to repay him. Only problem is they failed, and also screwed over some people along the way.

Like, they had this servant that was raised from childhood to always be loyal to them (Chouki), but at some point, said servant killed themself so they could come back as a spirit and play some magic soul controlling flute you can only play if you died once, because the ritual to revive the dead guy needs a hell lot of souls. Only problem is the servant got their breath taken away in the revival process so they couldn't play the flute, and Fumikado cut them out of the plan after that, so now Chouki is fucking pissed at them and they end up dedicating their life to revenge against Fumikado. At some point trying to beat them to becoming the emperor becomes part of that.

Of course, they have allies, such as another person Fumikado screwed over (Para), who Fumikado stole their body from (oh yeah Fumikado ended up switching to this stronger homunculus body their grandfather grew in a lab and spent a lot of time growing it into the perfect vessel) and now they're stuck in Fumikado's old child body (wait child body?). Apparently being a homunculus in this world mean you're born with all knowledge but it starts dripping away as you get older and Para didn't get to do shit with their infinite knowledge because they were sealed up (sometimes anyway, it depends on whether or not you count the person Tsubakura grew [Kurohebi] as a homunculus, and that person does not have this problem, guess pseudohumans are different).

Fumikado's chief advisor (Iyozane) used to be the heir to the royal family Fumikado was hoping to overthrow but they were locked under house arrest due to some conspiracy and ended up getting poisoned by their sibling (Mitori)(it was all but stated to be consensual). Some stuff happened (Iyozane's words not mine) and they came back to life, but when they did it they didn't become a spirit or lose their breath or anything so they can play the soul controlling flute. They chilled for a while (because being a pirate didn't work out) but they totally jumped on the chance to help Fumikado overthrow the royal family, but they got cocky and tried to scam the wrong person (Kuroji) and now both them and Fumikado are in debt. Not to mention they failed to overthrow the royal family. By the way, their sibling did manage to overthrow the royal family.

Also like, this guy Iyozane hired (Tsugumi) has beef with the Senri Shrine. The same Senri Shrine Tsubakura got isekaid to run. Like, it's implied to be a much more personal reason, but the fact that the previous priest of the Senri Shrine, Tsurubami, ruled over Mugenri with an iron fist definitely didn't help. A lot of people have problems with Tsurubami and Senri in general (Kunimitsu, Suzumi, and apparently Tsurubami leaving meant that people felt more free to act up so I assume there are others). A few people used to have homoerotic relationships with them (Tenkai, Xeno a, and Haiji has a weird parasocial thing going on).

Jesus Christ I was just gonna oversimplify things but there's like 5 paragraphs and there is still so much. Point is, you have to keep track of what everyone else has going on in case it ends up affecting your story. Don't even get me started on the incident of the game formula that the danmaku games use (a carryover from its Touhou inspirations) and trying to figure out whether or not you'd have to shove an incident into your story to keep it canon compliant. (The answer for me usually boils down to "Bitch do you know how much of this is built on headcanonning between the lines? This fic can go without a background incident.")

[corvid-ghost]

That moment when your hyprfixated on a a specific ship, but one no one really cares about

[pastafossa]

Hi! I was just wondering if you got my other ask about a TRT au that I want to write. I want to get the ok from you before I start anything.

I went digging for your asks and found them!

First off I feel like Deadpool when he's talking about fourth walls. A fanfic about a fanfic??? that's like... DOUBLE FANFICS

Second off I'm absolutely DELIGHTED by the idea and also really honored that someone would want to do TRT fanfic??? Just got me like

I am 100% ok with it! Anything that puts more fanfic into the world makes me happy tbh, AND it feels like a lovely continuation of the cycle that got *me* writing fic plus if i eventually take parts of trt and make it a real book as planned i would love if people ficced that IT'S THE CIIIIIIIIRCLE OF LIFE

There are only only two things I'd ask (applies to anyone else who may want to do TRT fanfic, which I'm fine with).

Proper credit back to TRT. If the fic's on AO3, then the 'This work is a remix, a translation, a podfic, or was inspired by another work' option when posting is what to use, and that'll let it pop up at the bottom of TRT under the 'works inspired by this one'. If it'll be posted on Wattpad or Tumblr, a link to TRT on AO3 and an acknowledgment is all I'd ask!

This one isn't specific to your idea (which I looked over and am totally fine with!). This is more for anyone else: please do not try to finish TRT, in the sense of trying to write the next chapters. AUs are fine, Blip fics are fine (I admittedly have a Blip side fic planned but it'll be outside of the main TRT story), various adventures, Foggy musings on canon, shenanigans, NSFW or SFW scenes, whatever, are all fine! I only draw the line at 'Pasta hasn't updated in a bit so I'm going to write the next chapters and post it'.

Other than that, you are free to move about the cabin with my blessing! I'm super excited to see what you come up with!

[rainbow-flavoured-skittles]

Yang in the dc au is… complicated at best. he took Cole in because there was this extremely powerful meta who just died and no one is looking for him. and there was going to be an opportunity to play with necromancy soon, so he took the chance and sent Cole through the rift. his original intention was to get himself a highly trained and obedient attack dog, for lack of a better word. he didn’t really ‘care’ about Cole much in the beginning, but over time he did get attached to him, which is why he let Cole go back to ninjago city.

[rosalind-hawkins]

What Do I Ship?

Don't mistake this for a tolerance or tier list. I will read and write ships that aren't even on this list, or write ships from the secondary list sometimes, this is just to give you a general sense of the stuff I mainly support/think about and in what capacity. Might be updated periodically. Ranting and comments in the tags.

Re: the Mokuba ships, I only ship them in non-problematic ways, where either the Kaiba brothers are ageswapped, making Mokuba the same age as the rest of the main cast, or where they only get together far post-canon where Mokuba's an adult. We cool? Cool.

Primary Ships

(things I can/want to create content for; this does not include every ship I've ever written, just the ones I care about/are currently engaged in writing/plan to write multiple fics for, or ships I just stan in a way that I know it'll never end)

Euroshipping (Kaiba x Ryou)

Puppyshipping (Joey x Kaiba)

Mumbleshipping (Kaiba x Ryou x Duke)

Teaseshipping (Joey x Ryou x Kaiba)

Snareshipping (Joey x Duke)

Trustshipping (Kaiba x Ishizu)

Polarshipping (Joey x Mai)

Blueshipping (Kisara x Kaiba)

Mizushipping (Kisara x Priest Seto)

Minorshipping (Ryou x Duke)

Mastershipping (Duke x Kaiba)

Puffshipping (Joey x Ryou)

Sweetshipping (Ryou x Mokuba)

Wintershipping (Mokuba x Amane)

Rollshipping (Duke x Ryou x Joey)

Secondary Ships

(things I will read but I don't write {much, or anymore, in some cases} for one reason or other)

Wishshipping (Joey x Yugi)

Powershipping (Kaiba x Marik)

Graceshipping (Ishizu x Ryou)

Doubtshipping (Kaiba x Ryou x Marik)

Petshipping (Duke x Kaiba x Joey)

Axisshipping (Kaiba x Siegfried)

Angstshipping (Ryou x Marik)

Irateshipping (Marik x Joey)

Buddyshipping (Joey x Tristan)

Heartshipping (Yugi x Ryou)

Fragileshipping (Yami Yugi x Ryou)

Changeshipping (Duke x Marik)

Logicshipping (Priest Seto x Priestess Isis)

Gemshipping (Ryou x Thief King Bakura)

Thiefshipping (Yami Bakura x Marik)

Candleshipping (Kaiba x Ryou x Yami Bakura)

Antagoshipping (Kaiba x Yami Bakura)

Corruptshipping (Priest Seto x Thief King Bakura)

Stoicshipping (Kaiba x Priest Seto)

Shimmershipping (Duke x Mokuba)

Guardshipping (Kaiba x Roland)

Senetshipping (Ishizu x Duke)

Angelicshipping (Ryou x Rafael)

Mercuryshipping (Kisara x Kaiba x Ishizu)

Entrepreneurshipping (Duke x Kaiba x Siegfried)

Unnamed (Aigami x Marik x Yami Bakura)

Scholarshipping (Kaiba x Ishizu x Ryou)

There's also plenty of random unnamed poly ships that I want to play around with in one-shots, usually a combo of my top six fave characters.

[gilears]

just drafted up everything for the final chapter of o&2... tell me why i might actually cry right now its so. end of an era on the last day of the worst year ever like im so proud of being done this and im so ready for good things

[hueseok]

.